To commemorate 30 years since it hit UK cinemas, Fletcher Walton explains some of the important ways in which the best action film of…
Talking about camera shots can be as dancing about architecture, so to supplement our recent discussions on the Electronic Labyrinth, here we’ll use pictures and…
As audiences go back to Isla Nublar for the second time with the release of Juan Antonio Bayona’s Jurassic World: Fallen Kingdom, a once disappointed…
The full version of this article appears on Flickering Myth. Along with inexplicable weight gain, age brings with it an ability to look back on…
AND THE REST… – REVIEW OF THE YEAR (Part 5) In 2017, Fletch saw 48 films at the cinema. We’ve chatted about a third of…
AND THE REST… – REVIEW OF THE YEAR (PART 4) In 2017, Fletch saw 48 films at the cinema. We’ve chatted about a third of…
AND THE REST… – REVIEW OF THE YEAR (PART 3) In 2017, Fletch saw 48 films at the cinema. We’ve chatted about a third of…
OSS17-0913/1007FW102-3: From the Files of O.S.S. – A Guide to the Films of Shane Black Part 3 “Life is pain. Get used to it!”…
Another ‘shared universe’ may have bitten the dust. Bill ‘Beauty and the Beast’ Condon was set to direct Bride of Frankenstein, a remark of the…
OSS17-0913/1001FW102-2: From the Files of O.S.S. – A Guide to the Films of Shane Black Part 2 In 1987, Shane Black broke Hollywood in…