Talking about camera shots can be as dancing about architecture, so to supplement our recent discussions on the Electronic Labyrinth, here we’ll use pictures and…
As audiences go back to Isla Nublar for the second time with the release of Juan Antonio Bayona’s Jurassic World: Fallen Kingdom, a once disappointed…
AND THE REST… – REVIEW OF THE YEAR (Part 5) In 2017, Fletch saw 48 films at the cinema. We’ve chatted about a third of…
We’re on brief hiatus as our Ealing studio moves up to the road to new digs. It’s no small project. We shopped it round our…
AND THE REST… – REVIEW OF THE YEAR (PART 4) In 2017, Fletch saw 48 films at the cinema. We’ve chatted about a third of…
AND THE REST… – REVIEW OF THE YEAR (PART 3) In 2017, Fletch saw 48 films at the cinema. We’ve chatted about a third of…
OSS17-0913/1007FW102-3: From the Files of O.S.S. – A Guide to the Films of Shane Black Part 3 “Life is pain. Get used to it!”…
OSS17-0913/1001FW102-2: From the Files of O.S.S. – A Guide to the Films of Shane Black Part 2 In 1987, Shane Black broke Hollywood in…
OSS17-0913/0921FW102-1: From the Files of O.S.S. A Guide to the Films of Shane Black “There’s no more heroes left in the world.” – General…
Jonathan Demme is among the most important North American filmmakers of the 1980s, of the 1990s, of yesterday, of next week, of 30 years from…